THE SUNDAY TIMES 1# BESTSELLER & BOOKER PRIZE WINNER BRITISH BOOK AWARDS AUTHOR & FICTION BOOK OF THE YEAR 2020 'The most absorbing book I read all year.' Roxane Gay ____________________________ This is Britain as you've never read it. This is Britain as it has never been told. From Newcastle to Cornwall, from the birth of the twentieth century to the teens of the twenty-first, Girl, Woman, Other follows a cast of twelve characters on their personal journeys through this country and the last hundred years. They're each looking for something - a shared past, an unexpected future, a place to call home, somewhere to fit in, a lover, a missed mother, a lost father, even just a touch of hope . . . ____________________________ '[Bernardine Evaristo] is one of the very best that we have' Nikesh Shukla on Twitter 'A choral love song to black womanhood in modern Great Britain' Elle 'Beautifully interwoven stories of identity, race, womanhood, and the realities of modern Britain. The characters are so vivid, the writing is beautiful and it brims with humanity' Nicola Sturgeon on Twitter 'Bernardine Evaristo can take any story from any time and turn it into something vibrating with life' Ali Smith, author of How to be both 'Exceptional. You have to order it right now' Stylist 'Sparkling, inventive' Sunday Times

The Time is Always Now: Artists Reframe the Black Figure edited by Ekow Eshun celebrates flourishing Black artists whose work illuminates the richness, beauty and complexity of Black life. ---------- "There is never a time in the future in which we will work out our salvation. The challenge is in the moment, the time is always now." - James Baldwin ---------- The Time is Always Now: Artists Reframe the Black Figure assembles contemporary African diasporic artists working in the UK and US whose practice foregrounds the Black figure. Edited and with texts by Ekow Eshun, and original essays by Bernardine Evaristo, Esi Edugyan and Dorothy Price. Published to coincide with the exhibition at the National Portrait Gallery, London, this publication explores and celebrates contemporary Black artists internationally who work within Black figuration. This visual and beautifully produced book examines contemporary figurative artworks against a backdrop of heightened cultural visibility. Within this context, its collected paintings, drawings and sculptures take on a dual role as the accomplished work of individual artists and as a collective assertion of Black presence. Through a three-part structure containing detailed artist profiles and stunningly reproduced artworks, the publication examines Black figuration as a means to address the absence and distortion of Black presence within Western art history. Profiled artists include Hurvin Anderson, Michael Armitage, Jordan Casteel, Njideka Akunyili Crosby, Noah Davis, Godfried Donkor, Kimathi Donkor, Denzil Forrester, Lubaina Himid, Claudette Johnson, Titus Kaphar, Kerry James Marshall, Toyin Ojih Odutola, Chris Ofili, Jennifer Packer, Thomas J. Price, Nathaniel Mary Quinn, Lorna Simpson, Amy Sherald, Henry Taylor and Barbara Walker.

Treat yourself to this joyful, big-hearted read from Booker Prize-winning novelist Bernardine Evaristo, part of our Penguin Essentials series which spotlights the very best of our modern classics 'Bernardine Evaristo can take any story from any time and turn it into something vibrating with life' Ali Smith Barrington Jedidiah Walker is seventy-four and leads a double life. Born and bred in Antigua, he's lived in Hackney since the sixties. A flamboyant, wise-cracking local character with a dapper taste in retro suits and a fondness for quoting Shakespeare, Barrington is a husband, father and grandfather - but he is also secretly homosexual, lovers with his great childhood friend, Morris. His deeply religious and disappointed wife, Carmel, thinks he sleeps with other women. When their marriage goes into meltdown, Barrington wants to divorce Carmel and live with Morris, but after a lifetime of fear and deception, will he manage to break away? Mr Loverman is a ground-breaking exploration of Britain's older Caribbean community, which explodes cultural myths and fallacies and shows the extent of what can happen when people fear the consequences of being true to themselves. 'Sublime' Telegraph 'Rip-roaring . . . she says things about modern Britain that no one else does' Guardian 'Brilliant' Independent

Alfred White, a London park-keeper, rules his home with a mixture of ferocity and tenderness that has estranged his three children. But family ties are strong, and when Alfred collapses on duty one day, they rush to be with him. His daughter's partner, Elroy, a black social worker, is brought face to face with Alfred's younger son Dirk, who hates and fears all black people. The scene is set for violence, and Alfred's wife May is forced to choose between justice and kinship. This ground-breaking novel tackles the taboo subject of racial hatred, as it looks for the roots of violence within one British family.

'An American masterpiece' AS Byatt WITH A NEW INTRODUCTION BY BOOKER PRIZE WINNER BERNARDINE EVARISTO Sethe is now miles away from Sweet Home - the farm where she was kept as a slave for many years. Unable to forget the unspeakable horrors that took place there, Sethe is haunted by the violent spectre of her dead child, the daughter who died nameless and whose tombstone is etched with a single word, 'Beloved'. A tale of brutality, horror and, above all, love at any cost, Beloved is Toni Morrison's enduring masterpiece and best-known work. Stunningly-designed new editions of Toni Morrison's best-known novels, published by Vintage Classics in celebration of her life and work. 'The literary titian we must never stop learning from' Metro Winner of the PEN/Saul Bellow award for achievement in American fiction

Joint-2019 Booker Prize Winner, along with Margaret Atwood's The Testaments.

Girl, Woman, Other follows the lives and struggles of twelve very different characters. Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years.

Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.

FROM THE BOOKER PRIZE-WINNING AUTHOR OF GIRL, WOMAN, OTHER It's a hot summer afternoon. Tension is in the air. A gang of youths on bikes gathers outside a chip shop. A teenage boy is stabbed and left bleeding on the street. The boy's mother wonders how this could have happened to her son. She is full of questions, but when the answers lie so close to home, are they really what she wants to hear?

The rediscovered classic: an unforgettable memoir by a trailblazing black woman in post-war London, introduced by Bernardine Evaristo ('I dare anyone to read it and not come away shocked, moved and entertained.') Benjamin Zephaniah: 'A must-read. Her life makes you laugh. Her life makes you cry. Get to know her.' Jacqueline Wilson: 'A superb but shocking memoir about a brilliant teacher, imaginative, resilient and inspiring.' Steve McQueen: 'Gilroy blazed a path that empowered generations of Black British educators.' Diana Evans: 'Important, enlightening and very entertaining, full of real-life drama ... Inspirational.' David Lammy: 'This empowering tale of courage, resistance, and triumph is a breath of fresh air.' Alex Wheatle: 'A pioneer in many fields and wonderful example for all of us ... Essential reading.' Christie Watson: 'A beautiful memoir of one woman's strength and dignity against the odds.' Being denied teaching jobs due to the colour bar. Working in an office amidst the East End's bombsites. Serving as a lady's maid to an Empire-loving aristocrat. Raising two children in suburbia. Becoming one of the first black headteachers in Britain. In 1952, Beryl Gilroy moved from British Guiana to London. Her new life wasn't what she had expected - but her belief in the power of education resulted in a revolutionary career. Black Teacher, her memoir, is a rediscovered classic: not only a rare first-hand insight into the Windrush generation, but a testament to how one woman's dignity, ambition and spirit transcended her era.

'This honest, engaging memoir shares such gems . . . the perfect read for anyone who dreams big' The Times and Sunday Times, Books of the Year The powerful, urgent memoir and manifesto on never giving up from Booker prize-winning trailblazer, Bernardine Evaristo In 2019, Bernardine Evaristo became the first black woman to win the Booker Prize since its inception fifty years earlier - a revolutionary landmark for Britain. Her journey was a long one, but she made it, and she made history. Manifesto is her intimate and fearless account of how she did it. From a childhood steeped in racism from neighbours, priests and even some white members of her own family, to discovering the arts through her local youth theatre; from stuffing her belongings into bin bags, always on the move between temporary homes, to exploring many romantic partners both toxic and loving, male and female, and eventually finding her soulmate; from setting up Britain's first theatre company for Black women in the eighties to growing into the trailblazing writer, theatre-maker, teacher, mentor and activist we see today - Bernardine charts her rebellion against the mainstream and her life-long commitment to community and creativity. And, through the prism of her extraordinary experiences, she offers vital insights into the nature of race, class, feminism, sexuality and ageing in modern Britain. Bernardine Evaristo's life story is a manifesto for courage, integrity, optimism, resourcefulness and tenacity. It's a manifesto for anyone who has ever stood on the margins, and anyone who wants to make their mark on history. It's a manifesto for being unstoppable. 'Raw and emotive . . . a powerful account of how Evaristo got to the top of her game - it's moving, but there's also much humour and joy' Independent 'Bernardine Evaristo is one of those writers who should be read by everyone, everywhere' Elif Shafak 'Bernardine Evaristo is one of Britain's best writers, an iconic and unique voice, filled with warmth, subtlety and humanity. Exceptional' Nikesh Shukla

"Lara" is a powerful semi-autobiographical novel-in-verse based on Booker winner Bernardine Evaristo's own childhood and family history. The eponymous Lara is a mixed-race girl raised in Woolwich, a white suburb of London, during the 60s and 70s. Her father, Taiwo, is Nigerian, and her mother, Ellen, is white British. They marry in the 1950s, in spite of fierce opposition from Ellen's family, and quickly produce eight children in ten years. Lara is their fourth child and we follow her journey from restricted childhood to conflicted early adulthood, and then from London to Nigeria to Brazil as she seeks to understand herself and her ancestry. The novel travels back over 150 years, seven generations and three continents of Lara's ancestry. It is the story of Irish Catholics leaving generations of rural hardship behind and ascending to a rigid middle class in England; of German immigrants escaping poverty and seeking to build a new life in 19th century London; and of proud Yorubas enslaved in Brazil, free in colonial Nigeria and hopeful in post-war London. "Lara" explores the lives of those who leave one country in search of a better life elsewhere, but who end up struggling to be accepted even as they lay the foundations for their children and future generations. This is a new edition of Bernardine Evaristo's first novel "Lara", rewritten and expanded by a third since its first publication in 1997.

FROM THE BOOKER PRIZE-WINNING AUTHOR OF GIRL, WOMAN, OTHER 'Evaristo possesses enough ball-busting originality to create whole novels for each of the historical characters she resurrects . . . [she creates] funky yarns so tantalising you want to devour them' Guardian Meet Stanley Williams: Single, in his thirties, grieving the death of his Jamaican father and wondering if there is more to life than his nine-to-five banking job in a sky-high glass menagerie. Enter Jessie O'Donnell: barmaid, former singer-cum-comedienne, and desperate to get into her rusty old Lady Niva and hit the freeway across Europe. The unlikely pair begin an electrifying odyssey that weaves in and out of history, colliding with the forgotten heroes of Europe's past. Shakespeare's mysterious 'Dark Lady of the Sonnet's, Pushkin and his Ethiopian great-grandfather and the mixed-race Allessandro de' Medici of Florence are all ready to have their voices heard, and Stanley and Jessie do what they can to hang on for the ride . . . 'A bouncy. . . touching novel about the search for love and belonging' The Times

'Bernardine Evaristo is one of those writers who should be read by everyone, everywhere' Elif Shafak The powerful, urgent manifesto on never giving up from Booker prize-winning trailblazer, Bernardine Evaristo. In 2019, Bernardine Evaristo became the first black woman to win the Booker Prize since its inception fifty years earlier - a revolutionary landmark for Britain. Her journey was a long one, but she made it, and she made history. Manifesto is her intimate and fearless account of how she did it. From a childhood steeped in racism from neighbours, priests and even some white members of her own family, to discovering the arts through her local youth theatre; from stuffing her belongings into bin bags, always on the move between temporary homes, to exploring many romantic partners both toxic and loving, male and female, and eventually finding her soulmate; from setting up Britain's first theatre company for Black women in the eighties to growing into the trailblazing writer, theatre-maker, teacher, mentor and activist we see today - Bernardine charts her rebellion against the mainstream and her life-long commitment to community and creativity. And, through the prism of her extraordinary experiences, she offers vital insights into the nature of race, class, feminism, sexuality and ageing in modern Britain. Bernardine Evaristo's life story is a manifesto for courage, integrity, optimism, resourcefulness and tenacity. It's a manifesto for anyone who has ever stood on the margins, and anyone who wants to make their mark on history. It's a manifesto for being unstoppable. 'Bernardine Evaristo is one of Britain's best writers, an iconic and unique voice, filled with warmth, subtlety and humanity. Exceptional' Nikesh Shukla 'Bernardine Evaristo is the most daring, imaginative and innovative of writers' Inua Ellams

A groundbreaking novel exploring the intersection between race, class and mental health in the UK 'A strong and humane work of fiction' Jackie Kay 'That is the glory of being a mental patient. Nothing is impossible.' It is the 1990s, and Gloria is living in a London psychiatric ward. She is unapologetically loud, audacious and eternally on the brink of bursting into song. After several months of uninterrupted routine, she is joined by another young black woman - Merle - who is full of silences and fear. Unable to confide in their doctors, they agree to journal their pasts. Whispered into tape recorders and scrawled ferociously at night, the remarkable stories of their lives are revealed. In this tender, deeply-moving depiction of mental health, Roy creates a striking portrait of two women finding strength in their shared vulnerability, as they navigate a system that fails to protect them. Life-affirming and fearlessly hopeful, this is an unforgettable story. 'This is a novel of daring - enjoyable, surprising and original.' Bernardine Evaristo 'A striking commentary' Scotsman 'A strong, humorous and moving piece of fiction . . . such is the life injected into the characters that by the end of the novel there remains that reluctance to part with people you have come to love' calabash 'A joy' Pride 'Unflinchingly told . . . harrowing but also shockingly funny' Big Issue

New edition with a foreword by Bernardine Evaristo 'A brutal record of segregated America ... essential reading' Guardian 'An anti-racist classic' Bernardine Evaristo In the autumn of 1959, a white Texan journalist named John Howard Griffin travelled across the Deep South of the United States disguised as a working-class black man. Black Like Me is Griffin's own account of his journey. Published in book form two years later it sold over five million copies, revealed to a white audience the daily experience of racism and became one of the best-known accounts of racial injustice in Jim Crow-era America. Embraced by some and fiercely criticised by others, its legacy sixty years on remains problematic, but Black Like Me nevertheless stands as a fascinating document of its times. 'There is a saying among Negroes that no white man, no matter how hard he tries, can really understand what it's like to be black in America. John Howard Griffin has come closer to this understanding than any white man that I know.' Louis Lomax, Saturday Review 'If it was a frightening experience for him as nothing but a make-believe Negro for sixty-six days, then you think about what real Negroes in America have gone through for 400 years.' Malcolm X

Treat a loved one to this joyful, big-hearted read from Booker Prize-winning novelist Bernardine Evaristo... '[Mr Loverman is] Brokeback Mountain with ackee and saltfish and old people' Dawn French WINNER OF THE JERWOOD FICTION UNCOVERED PRIZE 2014 and FERRO GRUMLEY AWARD FOR LGBT FICTION 2015 Barrington Jedidiah Walker is seventy-four and leads a double life. Born and bred in Antigua, he's lived in Hackney since the sixties. A flamboyant, wise-cracking local character with a dapper taste in retro suits and a fondness for quoting Shakespeare, Barrington is a husband, father and grandfather - but he is also secretly homosexual, lovers with his great childhood friend, Morris. His deeply religious and disappointed wife, Carmel, thinks he sleeps with other women. When their marriage goes into meltdown, Barrington wants to divorce Carmel and live with Morris, but after a lifetime of fear and deception, will he manage to break away? Mr Loverman is a ground-breaking exploration of Britain's older Caribbean community, which explodes cultural myths and fallacies and shows the extent of what can happen when people fear the consequences of being true to themselves.

INCLUDES A READING GUIDE Terrible, unspeakable things happened to Sethe at Sweet Home, the farm where she lived as a slave for so many years until she escaped to Ohio. Her new life is full of hope but eighteen years later she is still not free. Sethe's new home is not only haunted by the memories of her past but also by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. **One of the BBC's 100 Novels That Shaped Our World**

From the bestselling and Booker Prize-winning author of Girl, Woman, Other, Bernardine Evaristo's memoir of her own life and writing, and her manifesto on unstoppability, creativity, and activism Bernardine Evaristo's 2019 Booker Prize win was a historic and revolutionary occasion, with Evaristo being the first Black woman and first Black British person ever to win the prize in its fifty-year history. Girl, Woman, Other was named a favorite book of the year by President Obama and Roxane Gay, was translated into thirty-five languages, and has now reached more than a million readers. Evaristo's astonishing nonfiction debut, Manifesto, is a vibrant and inspirational account of Evaristo's life and career as she rebelled against the mainstream and fought over several decades to bring her creative work into the world. With her characteristic humor, Evaristo describes her childhood as one of eight siblings, with a Nigerian father and white Catholic mother, tells the story of how she helped set up Britain's first Black women's theatre company, remembers the queer relationships of her twenties, and recounts her determination to write books that were absent in the literary world around her. She provides a hugely powerful perspective to contemporary conversations around race, class, feminism, sexuality, and aging. She reminds us of how far we have come, and how far we still have to go. In Manifesto, Evaristo charts her theory of unstoppability, showing creative people how they too can visualize and find success in their work, ignoring the naysayers. Both unconventional memoir and inspirational text, Manifesto is a unique reminder to us all to persist in doing work we believe in, even when we might feel overlooked or discounted. Evaristo shows us how we too can follow in her footsteps, from first vision, to insistent perseverance, to eventual triumph.

The only novel from the world-renowned writer C.L.R. James - this extraordinary, big-hearted exploration of class was the first novel by a black West Indian to be published in the UK 'A novel written nearly a hundred years ago that brings the past alive with such charm, vitality and humour.' Bernardine Evaristo, from the Introduction 'As he walked home he looked up at the myriads of stars, shining in the moonlight. Did people live there? And if they did, what sort of life did they live?' It is the 1920s in the Trinidadian capital, and Haynes' world has been upended. His mother has passed away, and his carefully mapped-out future of gleaming opportunity has disappeared with her. Unable to afford his former life, he finds himself moving into Minty Alley - a bustling barrack yard teeming with energy and a spectacular cast of characters. In this sliver of West Indian working-class society, outrageous love affairs and passionate arguments are a daily fixture, and Haynes begins to slip from curious observer to the heart of the action. Minty Alley is a gloriously observed portrayal of class, community and the ways in which we are all inherently connected. An undisputed modern classic, this is an exceptional story told by one of the twentieth century's greatest Caribbean thinkers. Selected by Booker Prize-winning author Bernardine Evaristo, this series rediscovers and celebrates pioneering books depicting black Britain that remap the nation.

NATIONAL BESTSELLER WINNER OF THE BOOKER PRIZE"A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum."--Booker Prize Judges Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain's colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London's funding-deprived schools; Carole, one of Shirley's former students, is a successful investment banker; Carole's mother Bummi works as a cleaner and worries about her daughter's lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.

A beautifully atmospheric memoir and travelogue from poet Amryl Johnson depicting her journey from the UK to Trinidad in the 1980s 'Memories demanded that I complete this book. If what I experienced was, in fact, a haunting, I believe I have now laid these ghosts to rest in a style which I hope will satisfy even the most determined ones.' Amryl Johnson came to England from Trinidad when she was eleven. As an adult in 1983, ready for a homecoming, she embarks on a journey through the Caribbean searching for home, searching for herself. Landing in Trinidad as carnival begins, she instantly surrenders to the collective, pulsating rhythm of the crowd, euphoric in her total freedom. This elation is shattered when she finds the house where she was born has been destroyed. She cannot escape - nor wants to - from the inheritance of colonialism. Her bittersweet welcome sets the tone for her intoxicating exploration of these distinct islands. In evocative, lyrical prose Sequins for a Ragged Hem is an astonishingly unique memoir, interrogating the way our past and present selves live alongside one another. Selected by Booker Prize-winning author Bernardine Evaristo, this series rediscovers and celebrates pioneering books from Black Britain and the diaspora, which remap the nation and reframe our history.

With nationalism and the far right on the rise across Europe and North America, there has never been a more important moment to face up to what we, in Britain, are doing to those who seek sanctuary. Still the UK detains people indefinitely under immigration rules. Bail hearings go unrecorded, people are picked up without notice, individuals feel abandoned in detention centres with no way of knowing when they will be released. In Refugee Tales III we read the stories of people who have been through this process, many of whom have yet to see their cases resolved and who live in fear that at any moment they might be detained again. Poets, novelists and writers have once again collaborated with people who have experienced detention, their tales appearing alongside first-hand accounts by people who themselves have been detained. What we hear in these stories are the realities of the hostile environment, the human costs of a system that disregards rights, that denies freedoms and suspends lives.

The rediscovered classic: an unforgettable memoir by a trailblazing black woman in post-war London, introduced by Bernardine Evaristo ('I dare anyone to read it and not come away shocked, moved and entertained') Benjamin Zephaniah: 'A must-read. Her life makes you laugh. Her life makes you cry. Get to know her.' Jacqueline Wilson: 'A superb but shocking memoir ... Imaginative, resilient and inspiring.' Christie Watson: 'A beautiful memoir of one woman's strength and dignity against the odds.' Steve McQueen: 'Gilroy blazed a path that empowered generations of Black British educators.' David Lammy: 'This empowering tale of courage, resistance, and triumph is a breath of fresh air.' Diana Evans: 'Important, enlightening and very entertaining, full of real-life drama ... Inspirational.' Paul Mendez: 'Written with a novelist's ear and sense of atmosphere ... A vital and unique testament.' Jeffrey Boakye: 'A landmark. Warm and wise ... Life lessons we can all learn from.' Alex Wheatle: 'A pioneer in many fields and wonderful example for all of us ... Essential reading.' Denied teaching jobs due to the colour bar. Working in an office amidst the East End's bombsites. Serving as a lady's maid to an Empire-loving aristocrat. Raising two children in suburbia. Becoming one of the first black headteachers in Britain. In 1952, Beryl Gilroy moved from British Guiana to London. Her new life wasn't what she expected - but her belief in education resulted in a revolutionary career. Black Teacher, her memoir, is a rediscovered classic: not only a rare insight into the Windrush generation, but a testament to how her dignity, ambition and spirit transcended her era. **WATERSTONES PICK: JULY'S BEST BOOKS** Reader Reviews: 'Incredibly important ... Such an interesting read, and I am so glad that it is being republished.' 'Wonderful and insightful. I really, thoroughly enjoyed reading this book.' 'Eye-opening ... A powerful reminder of how far we have come ... Beautifully written ... I wish everyone could have a teacher like Beryl!' 'Really lovely, and a surprisingly quick read ... I wish I could have met her.' 'A great piece of history [with] so much relevance even today as it touches upon issues of race, education and female empowerment.' 'Excellent [on] what it was really like for the Windrush Generation... Highly recommended.'

A powerful, intimate memoir of Eritrean-British journalist, Hannah Azieb-Pool, who returns to Eritrea at the age of 30 to meet her family for the first time 'What a story. So vivid, honest and moving' Andrea Levy, author of Small Island 'When I stepped off the plane in Asmara, I had no idea what lay ahead, or how those events would change me . . .' In her twenties, Hannah-Azieb Pool is given a letter that unravels everything she knows about her life. She knew she was adopted from an orphanage in Eritrea, and as her adoptive family brought her to the UK, they believed she did not have any surviving relatives. When she discovers the truth in a letter from her brother - that her birth father is alive and her Eritrean family are desperate to meet her - she is faced with a critical choice. Should she go? In this intimate memoir, she takes us with her on an extraordinary journey of self-discovery, as she travels to Eritrea to uncover her own story. With radiant warmth, courage and wisdom, Hannah-Azieb disentangles the charged concepts of identity, family and home. Featuring a new introduction from Bernardine Evaristo and an updated afterword from the author, this is a timeless, essential read. 'Remarkable' Observer Selected by Booker Prize-winning author Bernardine Evaristo, this series rediscovers and celebrates pioneering books from black Britain and the diaspora, which remap the nation and reframe our history.

Penguin Readers is an ELT graded reader series for learners of English as a foreign language. With carefully adapted text, new illustrations and language learning exercises, the print edition also includes instructions to access supporting material online. Titles include popular classics, exciting contemporary fiction, and thought-provoking non-fiction, introducing language learners to bestselling authors and compelling content. The eight levels of Penguin Readers follow the Common European Framework of Reference for language learning (CEFR). Exercises at the back of each Reader help language learners to practise grammar, vocabulary, and key exam skills. Before, during and after-reading questions test readers' story comprehension and develop vocabulary. Girl, Woman, Other, a Level 7 Reader, is B2 in the CEFR framework. The longer text is made up of sentences with up to four clauses, introducing future perfect simple, past perfect continuous, mixed conditionals, more complex passive forms and modals for deduction in the past. Girl, Woman, Other is a powerful novel about race and the lives and journeys of twelve people. It celebrates the importance of coming together to share, love, and take care of each other. Visit the Penguin Readers website Exclusively with the print edition, readers can unlock online resources including a digital book, audio edition, lesson plans and answer keys.

Tate Britain: Look Again: the National Collection of British Art reimagined for today. Feminism is a powerful new interpretation of British art from an intersectional feminist perspective, from one of Britain’s greatest writers. ‘Art museums have long drawn me into their spaces. The infinite possibilities of the language of art opens me up to methods of communication quite unlike my own. I am fascinated by the most interesting and adventurous artists, who are surely among the most innovative thinkers on the planet. I am in awe of their talent and endless inventiveness, and my imagination is nourished by theirs. I am challenged to think differently about how we might understand, recreate, reshape, re-imagine life itself – animate, inanimate, spirit. My senses are stimulated, my emotions stirred, my brain whirrs away in the background and I feel very much alive.  When I was invited to write this book, my first time writing about art, I immediately knew that I would turn my attention on women and womxn (to include non-binary people) of colour in British art because, similar to the story throughout the arts, either as creator or curator, we haven’t been very visible. This book is personal – about the art I’ve seen, and the art I’ve loved – and my interpretation of the art in the national collection and beyond, from an intersectional feminist perspective.’